Joel Walker Sweeney was, in essence, the Elvis Presley
of the 1840s. A professional banjo player, Sweeney introduced mainstream America to a
music (and musical instrument) which had its roots in the transplanted black culture
of the southern slave. Sweeney, an Irish-American born midway between Richmond
and Lynchburg, Virginia, sampled African American music at a young age. He then
added more traditional southern sounds to the music he heard, in essence creating a
new musical form. The only avenue available to a professional banjo player was
that of traveling minstrelsy shows and it was this route which Sweeney used to
bring his music to the attention of the public.
Beginning with the banjo’s introduction to America and Great Britain, the book provides
an overview of early banjo music. The volume then discusses the evolution of American
minstrelsy (i.e., black face) and the opportunities it provided for artists such as
Sweeney. Correcting previous fallacies and misconceptions (such as Sweeney’s supposed
development of the five-string banjo), the work discusses Sweeney’s roots, his music and
his contribution to the physical development of the instrument.
An appendix contains a performance chronology. The work is also indexed.
About the Author
Musician and writer Bob Carlin is the author of
String Bands in the North Carolina Piedmont (2004). His articles have been
published in Journal of Country Music and Bluegrass Unlimited.
He lives in Lexington, North Carolina.