How country music gained regional and national acceptance
Today, country music enjoys a national fan base that transcends both
economic and social boundaries. Sixty years ago, however, it was primarily
the music of rural, working-class whites living in the South and was
perceived by many Americans as “hillbilly music.”
In Smile When You Call Me a Hillbilly, Jeffrey J. Lange examines
the 1940s and early 1950s as the most crucial period in country music’s
transformation from a rural, southern folk art form to a national phenomenon.
In his meticulous analysis of changing performance styles and alterations
in the lifestyles of listeners, Lange illuminates the acculturation of country
music and its audience into the American mainstream. Dividing country music
into six subgenres (progressive country, western swing, postwar traditional,
honky-tonk, country pop, and country blues), Lange discusses the music’s
expanding appeal. As he analyzes the recordings and comments of each
of the subgenre’s most significant artists, including Roy Acuff, Bob Wills,
Bill Monroe, Hank Williams, and Red Foley, he traces the many paths
the musical form took on its road to respectability.
Lange shows how along the way the music and its audience became more
sophisticated, how the subgenres blended with one another and with American
popular music, and how Nashville emerged as the country music hub. By 1954,
the transformation from “hillbilly” music to country music was complete,
precipitated by the modernizing forces of World War II and realized by the
efforts of promoters, producers, and performers.
Jeffrey J. Lange currently teaches history at the University of St. Francis
in Joliet, Illinois.